About the song
Power counts its doors. A crown gets made one lock at a time.
All keys, one hand, watch how a crown gets made.
About these notes
AI-assisted song notes, based on the sources shown here. Not yet human-reviewed.
Words from the artist’s archive
ALL KEYS, ONE HAND lyrics
Artist-supplied lyric sheet, matched by title. The sheet may differ from this released performance. Production notes and alternate promotional cuts are omitted.
Read the lyric sheet
Intro
Rents up. The check didn't. Cart got smaller. Total got big.
Verse 1
Four people reach for three seats on the train. Two racks chase one room, and the rent jumps again. Land has an edge. Time has a clock. There is no world where each hand gets the lot. So somebody chooses what moves and what waits, who owns the tools, who can open the gates. That is the fight under red, blue, or gold: who gets a say when there is less than we're sold?
Chorus
All keys, one hand, watch how a crown gets made. A board or a bureau can both lock a gate. Prices can miss. Plans can miss too. The question under both is: who gets to choose? All keys on one hand, that is the part I don't understand. Why does a king need another door when he has a throne.
Verse 2
One side sees a boss take more from the floor, rent eat the check while the worker makes more. It says pool the big things, spread out the cost, make sure the weak don't pay for each loss. No kid priced out. No old folks left cold. No one gets ten while five get sold. That case has weight when the gap gets wide: why call it fair if the floor has no side? The shelf doesn't care which theory filled itself. It only shows what arrived and what didn't.
Verse 3
Then comes the hard part: one desk has to know how much bread, steel, medicine, housing should go. A price can be cruel, but it talks in real time: too much sits there, too little makes it climb. When that signal goes mute, bad news can move slow. A plan can look neat while the empty rows grow. And if the planner can also write law, the hand on the lever gets hard to withdraw.
Chorus
All keys, one hand, watch how a crown gets made. A board or a bureau can both lock a gate. Prices can miss. Plans can miss too. The question under both is: who gets to choose? All keys, one hand, now the line means more: power gets tall when it owns each door.
Verse 4
The market spreads bets through a million small calls: one shop cuts price, one new shop sees a flaw. Bad ideas can die when the buyer walks out. Good ones can grow when the crowd turns out. But money stacks power if rules go asleep; a giant can buy up the road and the street. A tax-paid net can sit under the trade: help with the fall while private shops stay. A crown doesn't care what mark is stamped on the key. It cares how many locks and who bends the knee.
Verse 5
So I look past the flag and I look at the keys. Who can say no? Who can leave? Who can compete? Who checks the checkers when power gets fat? Who gets another door if one door shuts fast? Kings show up wearing a seal or a brand. The risk starts growing when keys meet one hand. A market needs rules. A state needs a leash. The safer design leaves more than one key.
Chorus
All keys, one hand, watch how a crown gets made. A board or a bureau can both lock a gate. Prices can miss. Plans can miss too. The question under both is: who gets to choose? All keys, one hand, leave room to protect every man. No system kills kings; it can limit their gates.
Inside the recording
Rents up. The check didn't.
All keys, one hand, watch how a crown gets made. A board or a bureau can both lock a gate.
All keys, one hand, watch how a crown gets made. A board or a bureau can both lock a gate.
Excerpts from artist-supplied lyric files matched by title. Lyric sheets may differ from the released performance.